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The second picture here is about mid-way through. We added alizarine crimson to the shadow areas to build them deeper. The high contrast in lights and darks is what gives the flower depth. We also tried to pay attention to the hard and soft edges. The soft edges need to be touched with a damp brush to float the pigment into a wet area. The hard, crisp edges need to be applied on dry paper to keep the area sharp.
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I am anxious to see what results some of my students come back with as they took these home to work on.
To learn more about my classes and work please visit my website by clicking here.
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