For this stage, I used a very wet mixture of Permanent Sap Green and a little Aureolin Yellow to create a lemon yellow wash for the first glaze on the trees and greenery. I applied the paint VERY WET. To the puddle, I dropped in a little Burnt Sienna here and there where the palm fronds will look more brown near the bottom of the tree. I also added a little Burnt Sienna, wet-in-wet, to some areas of the grasses in the foreground. I like to add this earthy color to my greens to keep them from being too garish. Usually in natural settings, you will see browns and golden colors within the greens. You can see how nicely the masking fluid is resisting the paint and holding the white areas. Allow to dry or dry with a hair dryer on the cool setting.
When this application is bone-dry, I apply more masking as I did in the number two lesson of this project. Do not apply masking to the damp or moist paper, as you will not be able to remove it and the lines created will not be crisp. I apply the masking to the next lightest value. For instance, the first application of masking was to protect the very lightest color of white. Now I am adding masking to protect this value of color that I just applied. I want to be frugal. If I add too much masking the painting will look contrived.
Look for the light values for this stage in the palm fronds and in the grassy areas in the foreground.
Visit previous posts to see the other stages of this painting in progress.